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PRESS

"'How To Bury A Saint' has [a] loving, steeped-in-spaghetti-sauce authenticity... visitors who [turn] up regularly in Patsy's yard [include] her likable but unsettled grandson, played by the appealing Matt Biagini..." - Sylviane Gold, The New York Times

HOW TO BURY A SAINT | THE SCHOOLHOUSE THEATRE

"Biagini, who was incredibly captivating as Rabbi Gary, created a compelling and powerful (not to mention hilarious) Act 1. The two actors' performance[s] drew you in and Act 1 moved quickly... Gatton and Biagini had impressive character swaps in Act 2 as well, becoming the sons of the characters they played before. They have an incredible ability to switch over to new characters with their own mannerisms [and] emotional baggage..." - Sparkman Clark, Times Square Chronicles

EXSQUISITE POTENTIAL | PROJECT RUSHMORE THEATRE COMPANY/ARCLIGHT THEATRE

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"The four-kings-and-a-queen ensemble (Matt Biagini, Marcus Henderson, A.Z. Kelsey, Babak Tafti, Jillian Taylor) are the tightest, most psychically connected cast of any of the three in the SumCabShakes festival. The mindmeld and shared pacing leads to some extraordinarily natural dialogue... As he does as Jaques in As You Like It, Matt Biagini has a natural talent for letting scanned verse trip off his tongue as if he’s informally chatting with an old friend."

Christopher Arnott, New Haven Theater Jerk/Journal

ROSE MARK'D QUEEN | YALE SUMMER CABARET SHAKESPEARE FESTIVAL

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One of the most moving scenes in the production was Galileo’s conversation with

The Little Monk (Matt Biagini)...”

Deirdre Donovan, theatrescene.net
GALILEO | MILK CAN THEATRE COMPANY/URBAN STAGES

“Only in the young monk's declaration of scientific dedication and Galileo's final

scene does the play find breathing space…there is pleasing support from [Peterson, Caruncho, and] Matt Biagini.

Karl Levett, Backstage.com

GALILEO | MILK CAN THEATRE COMPANY/URBAN STAGES

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